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© Bego	Mariana Bego co-founded and directs the Ezair Gallery. She is the Contempo-Energizing part of the Ezair Gallery, drawing her inspiration from her life experiences in our modern culture and technology. Her artistic vision of an artist was formed while she was working as an architect in Toronto and New York. In 1990 she continued her career as the creator of the Energizing Art concept, where she uses all her knowledge of geometry, perspective, proportions, as well as dynamics of light and shade. Energizing Art is based on the fact that the basic component of our physical Universe is a Force or an Essence, which we call the Energy. More
© Nuzum	Tom Nuzum is a mature artist whose vision was formed in the San Francisco Bay area during the 1960's. After a period of time spent teaching in various parts of the Midwest, he finally settled in Michigan near the city of Flint, where the wildlife, marshes and lakes surrounding his home and studio provided some of the images for his pictorial ideas. After 25 years of working in a nonfigurative manner, in 1988 Nuzum began to move in the figurative direction which characterizes his painting today. More
© Bromilow	Bromilow's essential philosophy is: “If you sow beauty, you reap beauty”. He believes that the greatest power we have in life is only what we can actualize at the very moment and often a future with any degree of certainty alludes us, though we have the power to determine our future by our attitude and our actions in the present. “We have more knowledge and information than at any other time in history, and we must use it to transform our world into one where nature is respected at least as much as culture”. More
© Mason	Words describing art can be informative, however the visual viewing of the art expresses in a moment all the emotions,craftsmanship,and the quality that animates the artwork giving it life. The excitement of creating art will show blazingly brightly through the paint if the work is successful. A single work may have a dominant idea pervading over other, more delicate or deeper sensations, taking precedence without overpowering the others. Imagination and formal paint handling qualities are intimately interlined. A good painting will have a theme or narrative, and it will also be touched with an essence of mystery or awesomeness. More
© Spence	Thomas Spence,from the Blue Mountains of Australia. This series of work was Inspired from time spent with an aboriginal weaver named Yvonne Koolmatrie,from south Australia. Mr.Spence and her traveled together while she gave workshops in weaving.His role was to illustrate this period of time. While this produced a lot of figurative work, what emerged upon his return to the Blue mountains was this,more abstract series of work. More
© Villanueva	I want people to see themselves by seeing the fish struggling. It is about power and the cycle of life and death. Like us, they have to survive in an environment where everyone can be an unlucky one. More
© Murphy	Murphy´s figurative paintings surrounded by bold, beautiful colors are a celebration of life. Through her spiritual journey, Murphy seeks to explore the struggle between human desires and spiritual evolution. The ethereal figures explore the struggle between human desires and spiritual evolution...the nurturing female figures are in the state of grace for the light of hope, the light of healing and the light of love. More
© Johns	My approach stems from a desire for a fresh way of relating to the living environment and an awareness of it as a vigorous and autonomous entity in itself. In finding ways of signifying connection to landscape, I use the conventional position of "onlooker" with the artist/viewer "here" and the landscape "out there." As well as taking perspectives which allow greater psychological immersion in the landscape. More
© Adam	“Color is the essential element in my work. The always-square canvas is edged by patterns created with both abstract and representational images. These patterns define and confine the interior, flat surface of a single color....”. More
© Rickert	I began a quest for ideas of change that are common in our culture and for changes largely considered to be positive. This “common currency” is important as it places the artist and “others” on the same vantage point.  It is not possible to focus on change as a concept without undergoing some change on a personal level. I found myself approaching my work in ways that I hadn’t before... largely in regards to the organization of shapes in space. I also became aware of the talismanic effect that sculpture focussing on change possesses. This gives the sculptures a function beyond simple ornamentation.” More
© Blitt	Blitt’s paintings and sculptures celebrate her love of dance and the spontaneous flow of movement captured in the drawn gesture. She says, ”When that line comes out of my hand or two hands simultaneously, I feel like I am dancing...” More
© Spitz	I like to accept accidents from the natural World into my work. Some times a curve can be smoothly produced by a single gestural stroke but sometimes I like to laboriously produce a curve in increments so I can exercise more control over the resulting shapes. More
©Dineen	Paint is the vehicle through which my thoughts, emotions and perceptions flow. The result is a highly personal, energetic expression of my own experience and philosophy. Although the work is born from a primarily emotional place, physical elements of the human body and other representational forms make their way into each painting. Quite often this happens through serendipity and chance. This is the magic of painting spontaneously and without fear or a preconceived notion of the outcome of a piece. More

© Bruce	I make 3-D paintings that I call ”constructions“. I have for years made abstract paintings where using color, as well as other painting tools such as line and texture, I created depth and indicated planes... More
© Baker	Dina Gustin Baker is a painter dedicated to her own conceptual and abstract images of expression. Though tolerant of other directions in art, she continued her devotion to her own vision. For her, painting has always been a discovery of related feelings in terms of color, form, and movement. Her work is introverted but goes the emotional distance to joy. More
© Weinstein	Although abstract, I paint what I see... the beautiful countryside all around me... rolling hills, mountains, and distant views...ever changing sky... nearby hayfields, woods and streams, weeds and wildflowers... everything. The colors seen every day, always seem to "appear" in the paintings; a sudden bright red, pink or yellow... reminding one of a single flower all alone in a field of browns, tans and umbers... or the changing hues of sky, grass, trees, etc. My work is another kind of landscape painting, resulting, I believe, in painting which is more "real" than a literal reproduction. The "essence" of what has been seen and felt is there, making what is seemingly ambiguous, most tangible and unique... which is what I think all good art is about. More
© Orben	In my paintings ”MY WILD NATURE” I am working with my own version of nature, giving my living colours as much freedom as possible. Rather than copying natures artefacts, my goal is to create like nature, with spontaneous intuitive energy and flow. . More

© Widelitz	We are because of what we are in relation to the structure of all things. Distinct separation of forms is an illusion. All structures are continual processes incorporated within one another in mutual interdependence. Whether light or matter, or every individual action possible or enacted, all are interwoven into a boundless timeless whole. My intention is to paint visual allegories of form and structure to see ourselves from a new vantage point within this larger whole. And of course, my hope is that you the viewer enjoy these paintings simply in and of them. More
© McKinley-Haas	New York Artist McKinley-Haas has been a painter of natural phenomena throughout the past 30 years. Her painting is closely related to her initial visual arts work as a costume designer, from which she eventually departed, becoming more abstract in her concepts, and calling on her sense of color, form and light to express herself and her vision in her large-scale paintings. Her paintings unfold as she works and though inspired by her travels & referring to the photos she takes en route, she never knows just where the process will take her or how the final painting will manifest itself.Mo
©Stanley Boxer	For more than 40 years, Boxer stood at the top rank of American Contemporary Artists. He had an international reputation and his art was shown widely during his lifetime and continues to be shown after his death in 2000. His work is included in the permanent collections of many museums, including MOMA, The Guggenheim Museum, the Whitney and others. He is a recipient of the Guggenheim and the NEA Awards and was member of the National Academy of Design. More
© Luppi	Eveline Luppi, born in Providence, RI, has deep roots in both the Rhode Island and Manhattan art communities. She has worked as a painter and ceramicist since 1980. In the late 80s and 90s, she studied contemporary art at the Art Student League of New York, where she worked with a group of international known artists and came under the influence of Knox Martin, Larry Poons and William Scharf. Throughout her artistic development, she has experimented with colors and patterns in complex motion, frequently expressed as diptychs or series of coordinated pieces. Her art combines a classical painterly style with her interest in the late Impressionists, Abstract Expressionists and modern multimedia techniques. More
© Thompson	Walter Thompson has made art for over five decades, but it is only the work he has done in the last thirty years that he feels establishes his credentials as an independent artist. This relates to the time when he gave up representative for abstract art. He has said, "For me it evolved naturally enough, but when it did, it broke open my imagination in ways I could not have dreamed of." Since the early eighties, especially, Thompson has built a body of work that betrays a rare intelligence and sensitivity. In his latest formulation of his art, Thompson, in a project that has been ongoing for four years, has invented a simple system that opens out into a rich and complex array of possibilities. He starts each work with the same structure of nine elements and then forces himself to find new and different ways to elaborate on them. [See his statement below relating to his system of working. He calls his lengthy series "Nine of Them," a reference to the elements he manipulates and elaborates upon. More